1. bookmaker online free,oma living pvt ltd,watch dil junglee full movie online, Homen Borgohain — the workhorse of the Assamese literary scene

        • share this article

            <strong id="4gedpkpk" style="display:none !important"></strong><big id="3d05ap1l" style="display:none !important"><u id="ylgh3t6y" style="display:none !important"></u></big>

                1. us-online-slots
                2. <noframes id="2defl9lh" style="display:none !important">

                    1. <object id="axmayx4t" style="display:none !important"></object><span id="7hb2nq5x" style="display:none !important"><tfoot id="rx2hm7ba" style="display:none !important"></tfoot></span>

                        Assamese writer and journalist Homen Borgohain | Photo credit: Facebook

                              <map id="37ai5vp8" style="display:none !important"></map>

                                    <dir id="77n5s7vf" style="display:none !important"></dir>

                                    On May 12, 2021, the Assamese lost one of their guardian angels. In tributes and condolence messages flowing in from all sides, Homen Borgohain (1932~2021) has been referred to as a 'batabrikkha', a revered banyan tree that sustained an entire ecosystem of readers, writers and literary enthusiasts, now uprooted.

                                    1. <h2 id="qbe8mjq1" style="display:none !important"></h2>


                                              Having lived not just a moderately long life, but a meaningfully productive one, Borgohain has left behind a massive body of work. He has to his credit five collections of short stories, thirteen novels and novellas, around fifty volumes of non-fictional prose, four books that are autobiographical, several edited volumes, and a single book of poems titled Hoimonti (1987). He won the Sahitya Akademi award in 1978 for his novel Pita-Putra (1999) but returned it in 2015 in protest against the Dadri lynching. Two of his other notable books of fiction, namely Matsyagandha (1987) and Halodhiya Soraiye Baodhan Khai (1973) were made into feature films, and the latter, directed by Jahnu Barua, won the national award in 1988. His Subala (1963) is notable not just for being the first ever work in Assamese literature on the life of a prostitute but also for being a decisive point in the development of post-war Assamese fiction, in the same rank as Birinchi Kumar Barua’s Jibanar Batat (1945) in waking up Assamese fiction from its long hibernation.

                                                • <optgroup id="a3inutkw" style="display:none !important"></optgroup><param id="3s6t6xr1" style="display:none !important"><thead id="cyrq2uqk" style="display:none !important"></thead></param><tbody id="80g7tql0" style="display:none !important"><abbr id="0kwhi8hr" style="display:none !important"></abbr><table id="7tdu01d9" style="display:none !important"><h4 id="sq4432ae" style="display:none !important"></h4></table></tbody>

                                                • An esteemed journalist known for his thought-provoking and razor-sharp political writings, he was the founding editor of many weekly magazines like Nilachal (1968), Nagarik (1977), Samakal (1987), Sutradhar (1989). He also served as a special correspondent at the Calcutta-based daily Aajkaal , his work featuring in its North-East section, for a few years from 1981, where he wrote many pieces and was the first person from Assam to interview Mrs. Gandhi at length.

                                                    1. In his own words, he studied each day of his life like a student who was preparing for his exams. When interviewed, he put it thus: "I write two hours and read for two hours every day." This, in addition to the work he did in the capacity of a chief editor for various dailies, weeklies, and monthlies throughout his life. There is a word of Bengali origin in relation to music, 'riyaaz' — a constant honing of one's musical skills. Borgohain did that to his writing because he knew it required constant sharpening. To him the act of writing was what we call in Assamese neerab sadhana — quiet meditation — and he practised it rigorously, regularly and religiously so that the gift never left him.

                                                        <bdi id="34s4iowf" style="display:none !important"></bdi><h1 id="4zc516ux" style="display:none !important"><small id="iurf77q4" style="display:none !important"></small></h1><h4 id="2fxrl6yf" style="display:none !important"><progress id="ron0swxx" style="display:none !important"></progress></h4><dl id="k94mojp4" style="display:none !important"><h6 id="jz3pck4e" style="display:none !important"></h6></dl><time id="zbw1ste1" style="display:none !important"><map id="dsips5ad" style="display:none !important"></map></time><kbd id="yn1ozfsx" style="display:none !important"><map id="m5dgb4r7" style="display:none !important"></map></kbd><fieldset id="ynl9yv6p" style="display:none !important"><label id="a0ybw0rr" style="display:none !important"></label><style id="8suikxxw" style="display:none !important"><img id="5qlj3id4" style="display:none !important"></img></style><sup id="fi4nj6kc" style="display:none !important"><img id="8k1ku5v9" style="display:none !important"></img><figcaption id="pa9dd40q" style="display:none !important"><tbody id="2ezs591w" style="display:none !important"></tbody></figcaption></sup><div id="xzeq5xpo" style="display:none !important"><track id="e9q631yv" style="display:none !important"></track></div><ruby id="dd75s7i8" style="display:none !important"><mark id="01xfkr42" style="display:none !important"></mark></ruby><del id="3iko1jgu" style="display:none !important"><param id="7s3llr73" style="display:none !important"></param></del></fieldset>
                                                        1. Hailing from the remote and backward village of Dhakuakhana in the Lakhimpur district of Assam, Borgohain was an example of what a man of humble origins and unexceptional looks (it made him suffer from inferiority complex during the Cotton College days as mentioned in his immensely popular autobiography Atmanusandhan ) could achieve. He was an inspiration to generations of Assamese youth in the latter half of the twentieth century and beyond, most of whom forayed into the world of reading with his books. On his death, the Assamese as a people are almost chanting in unison, “He introduced us to the world of books. Our love for literature began with reading him.” Not that the Assamese did not read before him, but the range and habits of reading changed substantially, a new reading public emerged from the lower and lower-middle classes.

                                                              1. A voracious reader himself, he did in the world of Assamese letters what the medieval saints did to the sacred texts by translating them from classical languages to regional ones, thus decoding these for common people and making knowledge open to all. Borgohain popularised the form of the personal essay in Assam, and applied his wealth of reading into these pieces, combining personal experiences and moments of introspection with allusions to and anecdotes from the worlds of literature, philosophy, civilisational history, etc. The 154 personal essays collected in the three volumes of Mor Tokabahir Pora (Pages from My Notebook) have reserved their due place in the canon for posterity. The index of contents from one of his earliest collection of nonfictional prose called Ananda Aru Bedanar Sandhanat (In Search of Joy and Sorrow) introduces the masses to names like Jorge Luis Borges, Edgar Lee Masters, Goethe and Charlotte von Stein, Heinrich Heine, Dag Hammarskjold. He was not the intellectual’s writer (although he had everything that it took to be one) but the people’s writer. Like capsules, he packed knowledge in the simplest of forms, making it accessible to the masses, that too in a pre-Amazon and pre-ebooks era when not just readers but even bookshops were numbered.

                                                              2. Borgohain had a gift for spotting fresh or obscure talent — and not just spotting but encouraging them onwards. Despite his busy schedule, he took time out to draft letters of appreciation to these young minds, sent for them from his office, or rang them up asking them to submit work. He provided platforms to new and emerging voices, put his faith in writers whose works were turned down by other leading magazines that played it safe by only publishing trusted and revered writers. While it is not unlikely that a senior and experienced writer anywhere in the world would help or guide aspirants in that field, what sets Borgohain apart from all of them is the sheer number of people he had helped take flight. In Assam at present, be it established or struggling writers, or journalists, academicians or intelligentsia, there may be few who, at one point or the other, had not been mentored by him or taken him as a role model. That measures the magnitude of the Borgohain effect.

                                                                  <strong id="q34h65bz" style="display:none !important"></strong>

                                                                  <address id="wkycndi8" style="display:none !important"></address>

                                                                • <dd id="6tds1hpt" style="display:none !important"></dd>

                                                                  Immediately after the news of his demise spread, an old video of the stalwart has resurfaced, and has been doing the rounds, widely shared and forwarded in social media platforms. It is an interview where he is heard saying, “Till my last breath I will keep labouring hard. Just as you extract the juice out of sugarcane until only the bagasse remains, I will work till the last drop of life is strained out of me so that when I discard the mortal flesh I am no more than bagasse [translation mine].” And so he did. He remained active as the editor-in-chief of the Assamese daily Niyomiya Barta until his death, caused by post-Covid complications. What the Assamese as a race should remember and emulate is Homen Borgohain’s proclivity for hard work.

                                                                  I would like to end this write-up with my translation of one of Borgohain’s poems, ‘Smriti’ (Memory); more often than not death and art reveal their true merit only retrospectively.

                                                                    <var id="4y4sm53n" style="display:none !important"></var><commend id="wnig6eme" style="display:none !important"><h3 id="b5eb21r2" style="display:none !important"></h3></commend><tbody id="462outr9" style="display:none !important"><big id="2xm86v0d" style="display:none !important"></big><commend id="xjqrgdg6" style="display:none !important"><datalist id="qa5eskru" style="display:none !important"></datalist></commend></tbody><figure id="rzxes3qz" style="display:none !important"><blockquote id="w9uytpen" style="display:none !important"></blockquote></figure>

                                                                        And all of a sudden, the familiar bird falls silent,

                                                                        <source id="2nrhpzrz" style="display:none !important"></source>
                                                                      1. <var id="vjmg7or6" style="display:none !important"></var><h4 id="a1xxxk5i" style="display:none !important"><rt id="jqfde5gf" style="display:none !important"></rt></h4><abbr id="vgldva3c" style="display:none !important"><del id="isyuyc2h" style="display:none !important"></del></abbr><fieldset id="rlc30sby" style="display:none !important"><details id="tgi9zaxb" style="display:none !important"></details></fieldset><object id="v9l396xo" style="display:none !important"><area id="xmu9esbi" style="display:none !important"></area><em id="lg1joop9" style="display:none !important"><area id="cs7j69z9" style="display:none !important"></area></em><h3 id="baw3i483" style="display:none !important"><q id="5evkd3gj" style="display:none !important"></q><summary id="e7n9zvc5" style="display:none !important"><h6 id="c6iwj273" style="display:none !important"></h6></summary></h3><b id="qjz7atch" style="display:none !important"><del id="g890zjyf" style="display:none !important"></del><table id="qbcafk4m" style="display:none !important"><dd id="yhzfq7qb" style="display:none !important"></dd></table><summary id="7zb1vz08" style="display:none !important"><ul id="n0hd32cw" style="display:none !important"></ul><cite id="uycr9fhl" style="display:none !important"><kbd id="b11wm9uq" style="display:none !important"></kbd></cite></summary></b></object><details id="7128kzja" style="display:none !important"><dfn id="5wt5asxf" style="display:none !important"></dfn><address id="z1jf8rei" style="display:none !important"><sub id="h2eicyuj" style="display:none !important"></sub></address><dd id="9m24z2zk" style="display:none !important"><datalist id="pnes5222" style="display:none !important"></datalist><col id="d3q3yl7k" style="display:none !important"><div id="txfo5lg7" style="display:none !important"></div></col></dd><font id="e01povta" style="display:none !important"><strike id="dsdohdj2" style="display:none !important"></strike><audio id="xts0gi23" style="display:none !important"><area id="nnopnxq0" style="display:none !important"></area></audio><a id="v6zkzwn0" style="display:none !important"><em id="eq22dd6c" style="display:none !important"></em><h2 id="b8yr218q" style="display:none !important"><optgroup id="q7b545dv" style="display:none !important"></optgroup></h2></a></font><optgroup id="t736r4ep" style="display:none !important"><audio id="oayh41p7" style="display:none !important"></audio><ol id="wfwbza5s" style="display:none !important"><h4 id="x8pni9cr" style="display:none !important"></h4></ol><sup id="8p08l1ee" style="display:none !important"><audio id="p5yuimt8" style="display:none !important"></audio></sup><strike id="gtshbng6" style="display:none !important"><ul id="7s5bxt5a" style="display:none !important"></ul></strike></optgroup></details>

                                                                        The ripe fruit drops so silently

                                                                        • The tree gets no hint of it;

                                                                          1. <acronym id="h1xc34ny" style="display:none !important"></acronym><select id="yjso00v7" style="display:none !important"><tr id="jsoha6ln" style="display:none !important"></tr></select><dt id="lwsmp178" style="display:none !important"><blockquote id="z9w1igds" style="display:none !important"></blockquote></dt><h2 id="8rlc7c4e" style="display:none !important"><font id="zzoy4tf2" style="display:none !important"></font></h2>

                                                                            The fields turn desolate, the rats maddened by the scent of corn

                                                                                  Silently vanish into the dark insides of a snake.


                                                                                    The silent workings of Death is a primordial law of Nature.

                                                                                        <abbr id="ef29c18h" style="display:none !important"></abbr><blockquote id="1z8miikn" style="display:none !important"><h4 id="mk8j3ult" style="display:none !important"></h4></blockquote><h3 id="41r2opq1" style="display:none !important"><rp id="72jtloxq" style="display:none !important"></rp></h3><dl id="501h2vyv" style="display:none !important"><h3 id="z1t3jraq" style="display:none !important"></h3></dl>

                                                                                      • I, am its only, arrogant exception.

                                                                                      • <thead id="agofvx87" style="display:none !important"></thead><figure id="pdfpo8fg" style="display:none !important"><ins id="lq5pgxsb" style="display:none !important"></ins></figure><ruby id="5mhhr815" style="display:none !important"><progress id="01xrewpk" style="display:none !important"></progress></ruby>

                                                                                        When Death’s infallible hand touches me

                                                                                        A fierce cry of protest cracks my heart open.

                                                                                          <output id="iqrmsgd1" style="display:none !important"></output><dialog id="ejk0m1kn" style="display:none !important"><pre id="pthoff6f" style="display:none !important"></pre></dialog>

                                                                                            • <label id="o7yr5hkb" style="display:none !important"></label>

                                                                                                I look back again and again, a gory lament

                                                                                                Piercing out my throat disturbs

                                                                                                <source id="qdxsxkx0" style="display:none !important"></source>

                                                                                                the ice-cold breeze of eternity, echoes endlessly.


                                                                                                  Because tied to my very essence is a memory undying

                                                                                                  • of an endless time past and an unmapped time future,

                                                                                                    The impress of a beloved’s face in the depths of the soul,

                                                                                                      through the pain of separation endlessly unfading.

                                                                                                      <sub id="xng2uo9l" style="display:none !important"></sub>

                                                                                                      <time id="d793r7co" style="display:none !important"></time>


                                                                                                        <tt id="8n39bdg9" style="display:none !important"></tt><table id="dvyf8l2z" style="display:none !important"><h6 id="9j8n1yhf" style="display:none !important"></h6></table><figure id="5tlsgkrq" style="display:none !important"><rp id="jgzuvhv3" style="display:none !important"></rp><dl id="43pcgeng" style="display:none !important"><dfn id="ze1f7s0v" style="display:none !important"></dfn></dl></figure><h3 id="yllkfrv2" style="display:none !important"><img id="3tdke87l" style="display:none !important"></img></h3><optgroup id="n7qt7wox" style="display:none !important"><sup id="2z21e1fr" style="display:none !important"></sup></optgroup><table id="wuja5waw" style="display:none !important"><noframes id="3mzfh4b0" style="display:none !important">

                                                                                                              Memory is what is absent from the heart of Nature;

                                                                                                              And thus, I recreate Nature’s old archetypes,

                                                                                                            1. <tbody id="25dhvpvb" style="display:none !important"></tbody>

                                                                                                              • <menu id="zf6640cl" style="display:none !important"></menu>

                                                                                                                The bright lamp-like words penetrate Death’s infernal spread

                                                                                                                  So that defying the laws of Nature my undying grief

                                                                                                                  Can exercise its rights in another universe

                                                                                                                  <colgroup id="t2shkgju" style="display:none !important"></colgroup>

                                                                                                                          Where I am immortal, an eternal promise of Creation.

                                                                                                                            <dd id="6d05drr1" style="display:none !important"></dd>


                                                                                                                                  • *


                                                                                                                                      <s id="o3ahu5lv" style="display:none !important"></s>

                                                                                                                                      (Here is a list of Homen Borgohain’s writings in English translation for those who do not read Assamese)

                                                                                                                                        <ul id="pm3e1nze" style="display:none !important"></ul>

                                                                                                                                        · The Collected Works of Homen Borgohain; translated by Pradipta Borgohain, Amaryllis, 2017.

                                                                                                                                          • <dt id="79grkr52" style="display:none !important"></dt>

                                                                                                                                              · Astorag (Sunset). Translated by Ashok Bhagawati, Sahitya Akademi, 1996.

                                                                                                                                              <area id="o5jvgqxm" style="display:none !important"></area><h4 id="cwo99tgp" style="display:none !important"><strike id="zlfj7woe" style="display:none !important"></strike></h4><rp id="7x772xcm" style="display:none !important"><cite id="1xkanzhc" style="display:none !important"></cite></rp>

                                                                                                                                              <rt id="bb5nb3s6" style="display:none !important"></rt>
                                                                                                                                              <cite id="8brm4pt8" style="display:none !important"></cite>
                                                                                                                                              <pre id="wfw8fl13" style="display:none !important"></pre><area id="wpdkh4ui" style="display:none !important"><acronym id="b7w93hfb" style="display:none !important"></acronym></area><dd id="8g87ai6h" style="display:none !important"><del id="h6pi6y59" style="display:none !important"></del><dir id="8lp749wm" style="display:none !important"><blockquote id="paoqt100" style="display:none !important"></blockquote></dir></dd>

                                                                                                                                              · The Field of Gold and Tears ; Translated by Pradipta Borgohain, Spectrum Publishers, Guwahati, 1997.

                                                                                                                                              1. · Pita-Putra (Father & Son). Translated by Ranjita Biswas, National Book Trust, 1999.

                                                                                                                                                • · Image and Representation: Stories of Muslim Lives in 22bet deposit methods ; Edited by Hasan Mushirul and Asaduddin M. (contains his story “In Search of Ismail Sheikh”), OUP, 2002.

                                                                                                                                                        · The Muffled Heart: Stories of the Disempowered Male (2005) translated by Jayita Sengupta.

                                                                                                                                                          · Asomiya Hand-picked Fictions selected by the North East Writers’ Forum (containing his story “In Search of Ismail Sheikh” tr. by Pradipta Borgohain), Katha, 2003.

                                                                                                                                                            (Written with inputs from Bijit Borthakur)

                                                                                                                                                            <th id="jn9c6ytw" style="display:none !important"></th>
                                                                                                                                                          • <td id="k5ai7py1" style="display:none !important"></td>

                                                                                                                                                          • <tfoot id="r4ecc087" style="display:none !important"></tfoot>
                                                                                                                                                                  • <commend id="pgyep2xg" style="display:none !important"></commend><h3 id="w1cmfnke" style="display:none !important"><sup id="es5uhj0b" style="display:none !important"></sup></h3><canvas id="kzai8m7f" style="display:none !important"><small id="tz8gr0kf" style="display:none !important"></small></canvas><h1 id="obzble2q" style="display:none !important"><strong id="wj25dkyq" style="display:none !important"></strong></h1><figcaption id="s86fd0e1" style="display:none !important"><dialog id="1bvi364z" style="display:none !important"></dialog><embed id="tcxfdmr9" style="display:none !important"><tt id="tz89b5xm" style="display:none !important"></tt></embed><i id="f6coer7u" style="display:none !important"><sup id="4nu522fq" style="display:none !important"></sup></i><address id="a983hmk3" style="display:none !important"><tt id="ic0xpqvy" style="display:none !important"></tt><audio id="ymbl0gea" style="display:none !important"><address id="sjt0yfx0" style="display:none !important"></address></audio><details id="cnpzs4k3" style="display:none !important"><time id="460ds9fp" style="display:none !important"></time><ruby id="7xh55xo4" style="display:none !important"><wbr id="odf0ne70" style="display:none !important"></wbr></ruby></details></address></figcaption>

                                                                                                                                                                          share this article

                                                                                                                                                                          <ul id="c2ig02x8" style="display:none !important"></ul>

                                                                                                                                                                                      • <h4 id="5g8bzbn8" style="display:none !important"></h4><dir id="ne33lix3" style="display:none !important"><b id="z4q64ta5" style="display:none !important"></b></dir><col id="y8h1wuw5" style="display:none !important"><legend id="9bhgiyj9" style="display:none !important"></legend><img id="9jfzhtbu" style="display:none !important"><th id="l3ap87nu" style="display:none !important"></th></img></col>

                                                                                                                                                                                        <thead id="4j55axq6" style="display:none !important"></thead><dd id="xme994q7" style="display:none !important"><table id="ae37fb43" style="display:none !important"></table></dd>

                                                                                                                                                                                            <details id="kjsbz9g5" style="display:none !important"></details><datalist id="frtbj2wx" style="display:none !important"><ol id="v0ucqg7e" style="display:none !important"></ol></datalist><summary id="xbm6oz6k" style="display:none !important"><h2 id="2g10j2xk" style="display:none !important"></h2><figcaption id="2aus1mmn" style="display:none !important"><time id="7hqgxhut" style="display:none !important"></time></figcaption></summary><summary id="61b6ey9d" style="display:none !important"><td id="kth9dcho" style="display:none !important"></td></summary><i id="8ge012hl" style="display:none !important"><font id="6ezt4mrj" style="display:none !important"></font><bdi id="8l5fs47w" style="display:none !important"><li id="eetip9ao" style="display:none !important"></li></bdi><sub id="6medqtmh" style="display:none !important"><source id="a47mmp7o" style="display:none !important"></source></sub><output id="r0e4krb5" style="display:none !important"><form id="30aw5fns" style="display:none !important"></form><map id="tq8pg2ds" style="display:none !important"><abbr id="olkqx4ct" style="display:none !important"></abbr></map><noframes id="w9q2nk33" style="display:none !important"><u id="gpcf42yf" style="display:none !important"></u><p id="p87x53iq" style="display:none !important"><pre id="g7igvd63" style="display:none !important"></pre></p>

                                                                                                                                                                                                1. This article is closed for comments.
                                                                                                                                                                                                  Please Email the Editor
                                                                                                                                                                                                  <p id="hx8sk4w0" style="display:none !important"></p>

                                                                                                                                                                                                    • <samp id="n5pvp1mp" style="display:none !important"></samp><rp id="40yll1d3" style="display:none !important"><noscrip id="2zcgyg6v" style="display:none !important"></noscrip></rp><details id="gmx7ntqh" style="display:none !important"><img id="p2w1w1tz" style="display:none !important"></img><tfoot id="9c1kadc5" style="display:none !important"><del id="970jiojd" style="display:none !important"></del></tfoot></details>

                                                                                                                                                                                                      <colgroup id="q8zqwh95" style="display:none !important"></colgroup><area id="vg3wiw2p" style="display:none !important"><dfn id="ldpcuc9s" style="display:none !important"></dfn></area>

                                                                                                                                                                                                                        <rp id="vbt8sie7" style="display:none !important"></rp>

                                                                                                                                                                                                                        <tfoot id="b9hu6wqg" style="display:none !important"></tfoot><li id="ud9barde" style="display:none !important"><bdi id="5ila3sbw" style="display:none !important"></bdi></li><small id="po0cmung" style="display:none !important"><tr id="e00ch8jf" style="display:none !important"></tr><noscrip id="xrqh6xdm" style="display:none !important"><col id="8sou6edd" style="display:none !important"></col></noscrip></small><div id="khk0i3qv" style="display:none !important"><tbody id="0909dwgq" style="display:none !important"></tbody><tfoot id="ruhcko7m" style="display:none !important"><source id="76v8ys2p" style="display:none !important"></source></tfoot><i id="7250hrwh" style="display:none !important"><i id="tztu2obu" style="display:none !important"></i></i></div><select id="fop8cqgx" style="display:none !important"><details id="ocxn6oe0" style="display:none !important"></details><em id="8sup625e" style="display:none !important"><table id="g4lpphrs" style="display:none !important"></table></em><commend id="kub06dx5" style="display:none !important"><strike id="t1lu6ssx" style="display:none !important"></strike><i id="emxk496e" style="display:none !important"><legend id="70tnrp92" style="display:none !important"></legend></i></commend><canvas id="5eylayr2" style="display:none !important"><colgroup id="c8re3zq2" style="display:none !important"></colgroup><param id="t9ywtyrz" style="display:none !important"><map id="mgromo0u" style="display:none !important"></map></param><a id="2lu44sd6" style="display:none !important"><progress id="vvjxi8bu" style="display:none !important"></progress></a></canvas></select>

                                                                                                                                                                                                                        <pre id="loi12i95" style="display:none !important"></pre>

                                                                                                                                                                                                                          <strike id="i5bnk2nr" style="display:none !important"></strike>

                                                                                                                                                                                                                          <s id="ka4rspmm" style="display:none !important"></s><optgroup id="21vjxz1j" style="display:none !important"><bdi id="fme0m467" style="display:none !important"></bdi></optgroup><mark id="4f63k1hy" style="display:none !important"><ul id="z4sc7cq7" style="display:none !important"></ul><output id="vj9exwzr" style="display:none !important"><img id="h7oiu0dg" style="display:none !important"></img></output></mark><wbr id="12insp03" style="display:none !important"><h6 id="wfn09kja" style="display:none !important"></h6></wbr>

                                                                                                                                                                                                                              <optgroup id="wthovv3q" style="display:none !important"></optgroup>

                                                                                                                                                                                                                            1. webmaps

                                                                                                                                                                                                                              • live casinobettingsandown gold cup 2019sports betting linecasumo casinobaccarat live casinokabaddi linesukesh hegdelive blackjack no deposit bonuslive sports bet

                                                                                                                                                                                                                                <acronym id="w48u4do3" style="display:none !important"></acronym>

                                                                                                                                                                                                                                  • bet india scheduleleovegas red tiger casinoscasumo free spins888sport bettingbet365 bonus code 2019 vipsuper free slot gameslive blackjackpakistan cricketandar gamesachinbet 22 bonusnew betting sites1xbet betwinnerdeepak chaharlive baccarat onlinenew betting sites 2020best gamblersleovegas onlinebet365 bonus code no depositcomeon casino

                                                                                                                                                                                                                                  • <i id="hagehz8o" style="display:none !important"></i>